The continuous development of digital technology, artificial intelligence and multimedia interaction is driving the transformation of music aesthetic experience from single auditory reception to multi-modal collaborative perception. From the perspective of perceptual style presupposition construction, combined with the theory of Gestalt perceptual organization, this paper analyzes the role mechanism of music map, music animation, performance video, dynamic staff and intelligent interactive presentation on aesthetic understanding, auditory organization and experience optimization around the technical links of audio feature extraction, visual coding mapping, dynamic spectrum surface synchronous presentation and interactive feedback regulation. It is verified by experiments with 48 music samples and 96 subjects. The results showed that the comprehensive experience score under the comprehensive preset condition reached 85.8 points, which was 15.5 points higher than that without preset. The comprehensive atlas improved the aesthetic understanding of non-music professionals by 17.6 points. The average comprehensive score of multi-path collaboration was 87.4, which was better than that of each single path. The research provides operable theoretical basis and practical reference for music aesthetic guidance, teaching communication and technology application in the digital age.
